On a waterfall

Here’s a short one on a masterpiece I would like to share with you dear reader.

Now close your eyes. And listen…

Chopin – Etude Op 10 No 1 in C major, also known as Waterfall

His right hand was set in ample motion. Left to right, right to left, and again, left to right, from the lowest octaves to the higher pitched notes, in a magnetizing movement.

His fingers were flying over the white and black keys in an intricate and delicate ballet. Notes were flowing in waterfall, at the speed of light.

The performance seemed to require godlike pianistic abilities to the eyes of a romantic era piano enthusiast whose inner metronome was already lost between the third and fourth measure.

A significant part of the beauty however was conveyed by the left hand. It barely moved and would play quite simple chords, nothing too fancy or difficult. The chord progression however, the choices the composer made of when to play them and in which order just made perfect sense.

Beautifully stunning. Like love at first sight. Like fine wine tasting.

You could hear subtle melodies within the complexities of this Etude. Orange, chocolate, berries. Like a palette of emotions which would shift from joy to melancholy, from astonishment to fulfilment, with every wave of the right hand, with every chord fading away.

Beautifully stunning can be very personal of course. Many might not see the same beauty, some might not see beauty at all in Chopin’s Etude Op 10 No 1 in C major. The world is made of different tastes and colors after all.

In any case, your ears deserve to know.

Check it out and let the board sound.

Rabih

Lettre à une amie

Chère amie,

Je t’écris ces lignes sans trop savoir où elles nous mèneront, sans trop savoir pourquoi je prends la plume. Il est une heure treize du matin. Je n’ai ni la clarté des idées ni l’assurance du verbe qui légitimeraient un titre à cette missive, en introduction aux lignes qui devraient ou auraient dû en découler. Nous coucherons donc ces lignes ensembles, à la faveur d’une inspiration que le silence de la nuit, un verre de cognac et quelques souvenirs douloureux sans doute, joyeux peut-être, marquants sûrement, se chargeront de favoriser, pour donner corps à une diatribe, qui, j’espère, ne s’éparpillera pas trop. Mais il me semble que je m’éparpille déjà…

Il fut un temps, pas si lointain, où je n’étais pour toi qu’un inconnu de plus qui, débarquant à Roissy en ce 20 septembre, venait quémander une place au soleil. Le voyage ne fut pas des plus reposants: un aller simple, un retard de huit heures à Athènes et une arrivée mouvementée à la Maison des Elèves de Telecom Paris, Maisel pour les initiés.

Il m’aura fallu trois mois pour t’apprivoiser, Ô rouleau compresseur exquis. Que de jours n’ai-je savouré ta beauté sublime tout en subissant l’écrasante tyrannie de ton rythme. Que de fois, du haut de mon balcon au huitième ne me suis-je retrouvé la nuit à murmurer ces quelques mots de Baudelaire, cette incantation au Vieux Capitaine, cette injonction à lever l’ancre. Non pas pour fuir l’ennui mais pour mieux succomber à l’appel du vieux pays, à la tentation de plier bagage pour revenir à ma zone de confort, suicide symbolique de l’immigré raté, risée des siens pensais-je à l’époque, mais suicide Ô combien réel aujourd’hui, à l’aune des évènements de ces deux dernières années que rien ne laissait présager à l’époque.

Au bout de ces trois mois donc, point de vieux capitaine, encore moins d’ancre. Ce fut le coup de foudre réciproque, l’amour qui dure encore. Des hauts et des bas, nous en aurons pourtant eu, mais les départs fracassants auront toujours été suivis de retours, jamais de regrets. Je t’en aurai préféré d’autres, j’en aurai même courtisé quelques-unes, orientales, saxonnes, tu m’auras fait subir les rigueurs de ton tempérament, le feu de ta rébellion.

Car tu es rebelle chère amie. Tu as un caractère bien trempé dirai-je, si je voulais faire dans la dentelle ou l’euphémisme. Un caractère de chien si je prenais un ton plus familier pour cet article. Et pourquoi pas au fait? Je le dis donc, haut et fort: à bas la dentelle. Je concède pour autant que tu auras dû bien des fois composer avec mes humeurs massacrantes. Et mon Spleen …, tu auras dû te faire violence pour le souffrir.

Un couple comme un autre. L’un suit, l’autre se laisse suivre, les rôles s’inversent, et puis c’est le coup de foudre, l’état de grâce, jusqu’au rappel des troupes, cette réalité où l’on fait véritablement la connaissance de l’autre, et suite à laquelle tout passe ou tout casse. Tout est finalement passé.

Tu as fini par avoir raison de mon Spleen, j’ai fini par apprivoiser ton caractère. Je t’aime encore, non plus d’un amour éclatant et fougueux qui veut dominer, façonner à sa guise, mais d’une amitié douce qui réchauffe le cœur. Je t’ai tout donné, tu m’as tout donné: je ne suis plus un inconnu de plus pour toi, tu m’as adopté comme l’un des tiens et pour cela, je te suis à jamais reconnaissant.

Mais au bout de toutes ces années, une petite flamme vacillante brille toujours dans mon cœur. Celle d’une mère patrie vieillissante que j’ai laissée derrière pour suivre mon destin. Une mère patrie qui perd la santé, qui perd la raison, mais dont le cœur bat toujours, dont le cœur à défaut de la tête, se rappelle encore et toujours ce fils parti il y’a des années mais qui revient de temps en temps prendre des nouvelles.

Chère amie, souviens-toi, tu fus sa marraine à une époque pas si lointaine, elle fut rebelle aussi, à sa façon, il y eut des hauts et des bas… Aujourd’hui plus que jamais, ta filleule a besoin d’amis. De vrais amis. Elle a besoin d’espoir, elle a besoin d’un phare, d’une lumière dans les ténèbres. Pour l’amour de Dieu, ne te renie pas, ne la renie pas, sois cette lumière, ce phare, reste ce flambeau de civilisation qui éclaire le monde, garde le cap pour elle quand d’aucuns qui se prétendent de ses amis l’auront d’ores et déjà perdu, quand d’autres ne l’auront jamais eu.

Reste Libre, Egale, Fraternelle, et garde dans ton cœur la nostalgie d’un Liban meilleur et le Liban vivra…

Bien à toi douce France

Rabih

Cet article est également publié dans les colonnes de L’Orient-Le Jour

On an old picture

I wrote a couple of posts on Lebanon recently, back to back, and it drained me out. I’ve never been good at managing sorrow or anger. So I thought I would write about something else for a change. And then I saw this long-forgotten picture on social media…

It was taken 27 years ago. A class of 12-year-old kids. People with whom I would be graduating some years later. It had been forgotten in the digital meanders of the Internet for the past 12 years. And you know what, I am going to write about it. Because I miss these days. Because I miss these people. Because they have all succeeded in their careers and most now have lovely families and beautiful kids, and because very few remain in Lebanon. Our new home countries are called France, Belgium, the United States, the United Kingdom, Canada, Nigeria or Dubai.

Those were the days of innocence; we were a thousand miles away from realizing what would be hitting us later. We were in a window where the civil war was behind and the future ahead, and boy what a bright future it could have been in the eyes of 12-year-old kids who were just out of childhood. Alas, time flew and with it our childhood dreams, trampled by Corruption and the Corrupt.

I want to write about this lost time where despite the challenges we faced in becoming who we are, we could still think that “everything will be fine” eventually.

But first and foremost, I want to write these few lines to fulfill a promise I made yesterday to a friend in this picture. A friend I had lost from sight more than a decade ago. A guy true to himself and to his origins, “droit dans ses bottes” as we would say around here.

So here’s to you my childhood friends,

to Antoine, Amira, Rita, Jinane, Cynthia, Diala, Youmna, Cynthia, Janine, Patricia, Joanna, Sarah, Ralph, Rony, Rashdan, Ryan, Mario, Fadi, Eddy, Michel, Ziad, Bachir, Rami, Fouad, Rami, Nada, Chadi, Rami, Christine, Zeina, Wassim, Hady, Hanane, Maha, Mirna, Maya, who all appear in the picture,

to those who do not, those I might have missed and the merry fellows who would join us later, over the years,

to our friends in other classes but on the same boat,

to those who taught us, to Marianne, in the picture as well, to Marie-Louise and Samir who reacted to the picture much to my delight, to Jean-Sebastien, may he rest in peace, and to many more, to you we owe a part of who we are today, thank you.

And to Chadi. Buddy, I promised I would post something for you to read when you are on call in the cold Belgian fall, unless you catch Wi-Fi where you are right now…

Let the board sound

Rabih

PS: I will not post the picture here due to obvious image rights. The school landmark should be good enough, right?

PPS: How about a reunion in the coming months? It’s been at least ten or twelve years since the last one…

On 2 PM meetings

I had been writing on serious stuff lately. Guns, revolutions, Fauré, explosions, or poetry and heartaches. Rejoice dear reader, for I will indulge in a lighter subject today, on fintech for a bit of fun, as always, and more precisely, on an everyday life black hole, a trap you cannot avoid if you work in French fintech:

The 2 PM meeting.

Photo by Jackman Chiu

2 PM meetings in fintech are a rite of passage into professional adulthood. A universal norm, a rule to abide by. An inevitable plague. More. A law of nature. Like the 2nd law of thermodynamics or Newton’s universal gravitation. The entropy of a system always increases. Apples always fall to the ground. Meetings always fall on 2 PM. The ones you cannot avoid anyway.

Here’s how the typical scenario unfolds. You are just back from lunch. All your resources – blood, energy, brain capacity – have been diverted to the central reactor – that’s your stomach – to avoid a core meltdown – that’s a steak-frites or a couple of ham and cheese sandwiches, unless it is chicken curry in which case you are in real trouble. You are not yourself anymore and your higher cognitive functions amount to idle. Everything else is in use by higher priority processes in your body. You spot an illusive lifeboat: a much needed caffeine dose you try to grab on your way to the meeting room in auto pilot mode. Trying to cross the Pacific on a raft.

The meeting starts. If luck is on your side, you will see it through without anyone soliciting your input. You might even get away with a quick nap, or a power nap to stay in the corporate lexical field. You try to convince yourself that fortune favors the bold, and you might be close to succeeding but the thing is, the bold is not you right now.

At this stage, odds are against you and the best you can hope for is a boss or colleagues who have been there before, or with a solid sense of humor perhaps, or past heroic feats to your credit which plead for mercy on your behalf.

Minutes slowly go by, and then you start counting the seconds. Still, you fight to keep your eyes open, to no avail…

And Sleep, the universal vanquisher,
Sets free the captives he enchained, at last

… because everything has an end thank God, even 2 PM meetings in French fintech companies.

Let the board sound

Rabih

On denial, acceptance and then …

So why does love fall apart sometimes… Many times…

If you’re a regular visitor, you might have read one of my previous posts which deals with closure, that very final stop on the side of a love and hate bumpy road, a “face à face” hopefully leading to some peace of mind and to the solo highway you probably wish you never left.

Well that’s a couple of steps forward actually. You first need to realize what hit you, accept it after having denied it, and then move on.

Photo by Kaique Rocha

So here’s what could have been a bumpy road ultimately leading to closure after love fell apart.

You left me here with childish dreams and teenage memories
To sink in the oblivion of a timeless remedy
I took the weight of the years on my shoulders and your sorrows in my eyes
But you left me here to cry all the tears you would not cry
Anymore

You turned your back on our sunny days, embraced the lonely nights
You laughed your way out of those years, gave in without a fight
You say it’s better to be safe and cold than burning and alive
Living someone else’s dreams, your fantasies won’t haunt you
Anymore

Days and weeks and months and years, are slowly passing by
Time one day will cast its spell and bring the morning light
And if we meet again, I may show you all the stars you left inside
Then turn away, walk towards the sun, and you won’t see me
Anymore

Let the board sound

Rabih

On a portal to the city of light

I heard it for the first time eleven years ago, on a Wednesday evening in Abu Dhabi. It felt like a call. More than a call, an invitation. A portal to end-of-19th-century Paris. Don’t ask, it just took me there.

To a place and an epoch close enough to our time to make the French Terror and the Napoleonic wars become knowledge which people of that place and time learnt, rather than memories they recollected. Close enough in time for Paris to have already been transformed by the works of Haussmann and his contemporaries into a very viable first version of the lovely city it is today.

Close enough in the mist of time to keep shining this specific Parisian touch which spanned from the end of the 19th century up until the great war. La Belle Époque, as it came to be known in retrospect.

Victor Gabriel Gilbert, Le Bal

La Belle Époque can hardly be framed in words to try to explain what it was or how it felt. Two world wars and a cold one right after, two major economic depressions, many global scale pandemics and the rise of terrorism, among other horrors since that time, made sure it would not be possible. Words hardly have any meaning after that.

We could try to imagine it though, with the help of some music, or a painting, or a book maybe… It might have felt like being in one of the adventures of Arsène Lupin, not one revisited by Netflix with a 21st century twist but rather one crafted by Maurice Leblanc, the father of this peculiar gentleman burglar.

But back to Abu Dhabi. It was 2010, on a Wednesday evening, and I had just heard Gabriel Fauré’s Pavane in F sharp minor for the first time.

Composed as a piano and chorus piece in 1880, then re-arranged as an orchestral version in 1887, it was a perfect fit for the time and place it stood for: 19th century, Paris. Coordinates to which this time machine would hook me up ever since.

It would also put a pen in my fingers and some thoughts in my head. This is how it all started, in French of course, on a moleskine notebook, on a Wednesday evening in Arabia, leading years later to the post I am wrapping up today, in English, on a Friday evening in France.

Let the board sound

Rabih

PS: If you like Paris and words which take you places, meet an author doing just that. The posts are not always about Paris, but they always take you places… Try this one for instance.

On becoming comfortably numb

1:00 AM, somewhere in France.

Pink Floyd playing in the background, and I, wrapping up my previous post before publishing it. Comfortably Numb. Or Confortablement engourdi since we are somewhere in France. A masterpiece of progressive rock if you ask me. And by the time David Gilmour was kicking his haunting second guitar solo, hell was breaking loose in a sunny Levantine country which until then thought it had struck a golden deal with time… The post was nearing the end. You probably read it a couple of days ago.

We ended up believing that judgment day would never come…

Fools…

Hell broke loose on a Tuesday evening at 6:07 PM local time, when 2750 metric tons of unaccounted for and ill-stored Ammonium Nitrate went off in the port of Beirut in what would be later described as one of the largest artificial non-nuclear blasts in history, obliterating significant parts of the capital and causing 218 deaths, more than 7000 injuries and making thousands of people homeless.

I will not dwell on the causes. There is rant all over the place on the criminal carelessness of Lebanese officials or the endemic corruption undermining the country, including in some of my previous posts.

However, I cannot help but notice that the story leading to the disaster had been unfolding in broad daylight in the previous years, in general indifference. You know, the story on how 2750 tons of an explosive substance made it to a warehouse in the port of Beirut from an odd ship which would later sink in the port itself without anyone taking notice. “A ship? What ship?

Weirdly enough, you can find hundreds of documented stories, news and articles on the port of Beirut and its tales over the past 7 or 8 years, from stories on customs seizing anything between 3.6 million Captagon pills and 20 smuggled iPhones to information on the port revenue, year in, year out. You can even find articles on the customs fight against corruption. Ha ha.

But not a hint about the elephant in the room: A 284 feet long cargo ship, the Rhosus MV.

Stranded there since 2013, abandoned by its Russian or Cypriot owners who allegedly went bankrupt, owning the port of Beirut more that 100 000 US dollars in accruing unpaid fees, with 2750 tons of a potentially explosive substance on board, and which ended up SINKING in the port, on its own, in February 2018, out of lack of maintenance, after its load had been confiscated by the Lebanese authorities and stored in one of the port warehouses a few years earlier.

And nothing either on the six warnings formally issued by customs and port officials to the (not so) competent authorities about the danger presented by the substance stored at the port, in 2014, 2015, 2016 and 2017. It unraveled too late, a couple of days after the disaster…

OK. For the sake of argument, let us put aside the warnings, the explosive substance in the ship or out of it, the Russian owner and those behind him. And maybe even the port administration and customs, or especially those actually, and the hidden hand behind. Maybe these factors and actors were not so obvious. Maybe they were out of reach because we were too busy finding a place in the sun. Or surviving. Or not in the details of an opaque administration, and its corrupting volutes let us say. Or too afraid, standing to loose too much. Too exposed.

Or maybe they were out of reach because of our acute intellectual laziness, and God knows how much of that we have to spare.

But a ship sinking in plain sight in the port of Beirut?

How did we manage to overlook that?

How could have we become so numb?

So comfortably numb?

Hello? Is there anybody in there?

Let the board sound

Rabih