And her path to a warm home and a friend
I met her on a cold winter evening. She was laying on the sidewalk, in the pouring rain, abandoned there by her last abuser. She was visibly broken by years of hardship. The old scars were still visible. The more recent ones were alarming.
I was in my car rushing somewhere when I saw her. I picked her up before the reaper did. She had many broken bones and a dislocated hip, which seemed to have been treated by less than qualified surgeons. Battle wounds really.
I took her in and cared for her. She started to open up when the fog and doziness of homelessness lifted, but more so when she realized she could stay for as long as she wanted. She was safe here.
We would share stories over a cup of coffee with an orange peel every evening for the next week or two. I would tell her the tales of a small country on the verge of oblivion, and bit by bit, she would tell me her story, or at least the parts she could speak about without putting to jeopardy whatever sanity she had left. I had to figure out the rest.
She was born in East Germany, during the cold war. Blonde, feminine, not as tall as you would expect, which suits me fine. And one could guess she once had a warm alto voice. The thing is, by the time I met her, she had not sung anything meaningful in years and her voice was only the shadow of what it used to be.
She had probably been an artist in a previous life, or longed to be one. She could have had to leave the totalitarian state where he was born, her art having become too heavy to bear behind the Iron Curtain. Or could she have been given up for adoption at birth, moving in and out of foster care until coming of age? Whatever it might have been, the life she was made to live took quite an expensive toll on her.
I tried to bring back the shine she had lost over years of sorrow and abuse, and I think I did a pretty decent job. I cleaned her up, put her back to shape, oiled her fretboard, refurbished her tuning mechanism, set her up with new strings and gradually tuned her to pitch. I left the scars though, as a tribute to her survival on a more than dodgy path, and they make her beauty stand out. She has been my go-to guitar ever since.
I do not know who played her before me or what was her repertoire back in the days. She never told me and probably never will. I just hope that she finds my music interesting enough, and I think she does. Otherwise, she would not bless me with this warm alto voice of hers when I play her.
Here she is, as if waiting for me to fix her a drink. Enough with coffee, even with an orange peel. She likes Bourbon. Fair enough. So do I.
Let the board sound